Dublin born composer Seán Clancy’s (b. 1984) music has been described as ‘equal part sacred, seductive and superficial’ (Tempo), and as ‘exploring the tensions between found and original material, narrative and rupture, elite and vernacular values, and between innovation and intervention’ (Journal of Music). His work deals with examining minimal amounts of material over extended periods of time (sometimes with projected text), and most recently he has been exploring this process by performing on synthesizers, often collaborating with other soloists and ensembles.
Over the past number of years Seán has been a recipient of a PRSF Beyond Boarders Award (with Andy Ingamells) (2019), a Culture Ireland GB18 Award (2018), composer in association with Workers Union Ensemble (2015/16), an artist in residence at the Moog Soundlab (2015 and 2018), composer in residence at EMS Elektronmusikstudion Stockholm (2014), BCMG/SAM Composer in Residence (2010-2012), and a recipient of an RTÉ Lyric FM/IMRO Composition Bursary (2012). Additionally, he has been a featured composer in the BBC Radio 3 Open Ear Series (2018), the New Music Dublin Festival (2017), Composing the Island Festival, Dublin (2016) MATA Festival, New York (2016), Beijing Modern Music Festival (2016), RTÉ NSO Music of Our Time Series (2016), New Dots Series, London (2016), Culture Night, Ireland (2015) David Lang’s ‘What?… Wow Festival of Music’ (2015), Soundings at the Austrian Cultural Forum (2015), the RTÉ NSO Horizons Series (2014), Huddersfield Contemporary Music Festival (2013), Quatuor Bozzini Composers’ Kitchen (2013), Ergodos Printing House Festival (2007), Birmingham’s Frontiers Festival (2017, 2016, 2015, 2014, 2011, 2010), and CODA Festival (2018, 2019) also in Birmingham.
Seán is fortunate to have been commissioned and performed by many fantastic ensembles and artists from around the world. He has developed particularly close ties with the RTÉ NSO, BCMG, Quatuor Bozzini, Crash Ensemble, RTÉ Contempo Quartet, Ensemble KROCK, Workers Union Ensemble, Orkest de Ereprijs, Decibel, Fidelio Trio, Thallein Ensemble, Dublin Guitar Quartet, and Thumb. In the past number of years, he has also worked with soloists Susan Narucki, and Garth Knox, as well as collaborating with conductors Alan Pierson, Richard Baker, Gavin Moloney, Clement Power, Ben Oliver, Dan Watson, Dan Rosina, and Ciaran Crilly. Most recently, he has undertaken a number of duo projects with composer/performer Andy Ingamells, and he has also undertaken a number of projects with Rock/Electronic musicians Katie Kim, Thomas Parkes, Simon Goff, and has appeared in support of Matana Roberts & Kelly Jayne Jones. He has received support from organisations such as the PRSF, the Britten Pears-Foundation, Ralph Vaughan Williams Trust, Sound & Music, Huddersfield Contemporary Music Festival, The Arts Council of Ireland, IMRO, and Culture Ireland. He has been broadcast on amongst others: WNYC (USA), WFMT Chicago (USA), RTÉ Lyric FM (Ireland), BBC Radio 3 (UK), and Klassika Raadio (Estonia). His first recording Forty Five Minutes of Music on the Subject of Football was released by Birmingham Record Company in 2015 (Distributed by NMC in 2019). This was followed by other releases including an Ornamental Light Glows Beneath the Tinted Window in 2017 (Self Release), Small, Far Away (Self Release), and Salt Interventions (with Katie Kim and Crash Ensemble) (Katie Kim) in 2018, and irealand england (Self Release) and and then you… in 2019 (self release). He also appeared on the compilations Crashlands (Crash Records) and 101 Beats Per Minute II (Countersunk) both also released in 2019.
Seán received his PhD from Royal Birmingham Conservatoire, where he is now a Senior Lecturer in Composition, and he holds degrees from King’s College London, University College Dublin, and the Ecole Nationale de Musique. Principle teachers have included Joe Cutler, Philippe Leroux, and Howard Skempton (alongside informal studies with Gerald Barry and David Lang). He is represented by the Contemporary Music Centre, Ireland.
More information, scores, and recordings available from The Contemporary Music Centre